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Monthly Archives: January 2015

Queen & Adam Lambert Newcastle Arena 2015 Who Wants To Live Forever

16 Friday Jan 2015

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adam lambert, brian may, guitar, newcastle, queen, who wants to live forever

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Queen & Adam Lambert Live Newcastle Arena 2015 Don’t Stop Me Now guitar solo

16 Friday Jan 2015

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Queen & Adam Lambert Live Newcastle Arena 2015 Fat Bottomed Girls

16 Friday Jan 2015

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Queen & Adam Lambert Newcastle Arena 2015 A Kind of Magic sang by Roger Taylor

16 Friday Jan 2015

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A Kind of Magic, adam lambert, brian may, newcastle, queen, roger taylor

Queen & Adam Lambert Live Newcastle Arena 2015 One Vision I Want It All Another One Bites The Dust

16 Friday Jan 2015

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Queen & Adam Lambert Newcastle Arena 2015 Fog On The Tyne Love of My Life

16 Friday Jan 2015

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Queen & Adam Lambert Newcastle Arena 2015 Somebody To Love

16 Friday Jan 2015

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adam lambert, arena, brian may, keep yourself alive, newcastle, queen, somebody to love

Queen & Adam Lambert Newcastle Arena 2015 Last Horizon Brighton Rock Tie Your Mother Down

16 Friday Jan 2015

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adam lambert, brian may, brighton rock, guitar, keep yourself alive, newcastle, queen

Queen & Adam Lambert Newcastle 2015 Bohemian Rhapsody featuring Freddie Mercury

16 Friday Jan 2015

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How To Play Queen – Sweet Lady – guitar tutorial

13 Tuesday Jan 2015

Posted by jamesrundle72 in brian may, guitar

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a night at the opera, brian may, guitar, queen, sweet lady

How To Play Queen – Sweet Lady from the 1975 album A Night At The Opera

Guitar Tab Link : http://1drv.ms/1wXCRep

A truly great rock track and the inspiration behind the fast version of We Will Rock You (Live Killers Album)

I’ve added guitar tab as a guide.
The guitar tab is correct on chorus as a I made an error in my explanation. The first two bars are played 3 times as opposed to twice.

As the guitar outro solo is quite a explosion of overlapping licks played at the same time I’ve tried to give a brief look at the different bits used. Listening to the original record should make things clearer.

“Sweet Lady” is a distortion-driven fast rocker written by May. The song is an unusual rock style in 3/4 meter (which gives way to 4/4 at the bridge). Taylor remembers it as the most difficult drumming part he ever recorded.[attribution needed]

The backing track was probably recorded live as you can hear the snare wires on the snare drum of Taylor’s kit vibrating along with Deacon’s bass guitar riff.

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